Which E-Reader should you choose?

Which E-Reader should you choose?

At first glance it appears the only logical answer would be to choose a device from the Kindle range. After all, Amazon now reportedly has 70% of the e-book market. Despite this there is still a range of alternatives. The decision now may not hinge on which model has the best technology inside, but the one that comes in at the right price with acceptable functionality.

KindleVoyage

First off the bat it should be made clear that for pure capabilities it seems that the Kindle Voyage has further stretched Amazon’s lead in the tech stakes. It comes with 300dpi and is crammed with lots of Amazon features like X-Ray, Vocabulary Builder, Page Flip (allowing you to skim forward without losing your place), Whispersync and a whole load of other neat features, many of which are present in other Kindle models. The Voyage comes in a hefty price compared to its competition, £229 for the 3G model, which places it as the Apple priced product in the e-reader world.

Book lovers aren’t sheeple like fans of Apple products. Undoubtedly, some will buy the Voyage just to have the latest model; most will look at value for money. The arrival of the Voyage has brought the price of the other E-ink Kindles crashing. The entry model is now £49, the Paperwhite from £99. It’s these that we’ll compare to the competition, namely the Paperwhite.

It comes with a backlight, so bedtime reading is made easy, and has many of the features that the Voyage has, like the Vocabulary Builder. The integration with the Kindle store is seamless, and when navigating through the device’s books, options, highlighting passages, checking words and Wikipedia, it is smooth. Any lag is barely noticeable, and forgivable with the neat presentation. The Paperwhite does everything asked of it and avoids criticism. When you consider the Kindle store rules the marketplace, and the device itself beats the competition point-on-point, it’s the safe choice.

Being tied to the Kindle Store needn’t mean you have to use a Kindle. I would never encourage piracy, authors need all the sales they can get to ensure the future of books, but I believe e-books, like MP3s, should be purchased from anywhere to be used on whatever device we choose. Calibre is an e-book library manager, think iTunes interface without the store, that with certain plug-ins allows DRM to be removed from books. It also converts the type of format, so Kindle’s KF8 can be changed to ePub for use on Nook devices. It’s worth noting to remove the DRM you’ll need to load it from a Kindle device, mobile apps do not count, it has to be from an e-reader.

This brings us to the Barnes and Noble option. The Nook GlowLight offers a backlight like the Kindle Paperwhite. It comes in at £69, making it £30 cheaper, even after Amazon’s price cuts. A side-by-side tech comparison and you’d think the devices were pretty much identical. I initially used the GlowLight after using an old Kindle Keyboard and it felt like a step-up. And for some time there was a feeling it was a more pleasant reading experience than the Paperwhite. Until the gloss started to fade. The backlight technology is better executed on the Kindle and never once on any Kindle device has formatting been an issue. The same can’t be said for the GlowLight, sometimes it feels scrappy around the edges. However, at a third cheaper, it is a strong option, but being trapped in the Nook ecosystem could cost you more in the long run.

Kobo are the other main company out there. They offer a waterproof device that will appeal to those accident prone, bath-time readers or beach-bound holiday types. This feature, the first in the e-reader world, gives the Kobo Aura H2O a unique selling point. It also beats the Paperwhite on resolution and dpi. Again, the main negative will be the exclusion from the Kindle store, although the Kobo store is regularly priced competitively. It’s another device in the Kobo range I’ll draw your gaze to. The Kobo Mini.

Unlike other readers, this one aims small, not trying to sell spec but size. It has an 800MHz processor compared to Kobo Glo’s 1GHz and lower resolution. It is featureless in comparison to the Paperwhite. Yet, none of this matters.  It’s able enough for simply reading books. The latest update has given it a snappier main menu screen. It plays, amongst others, both ePub and mobi formats. And it fits easily in a coat pocket. Whereas one may be too precious with a more expensive e-reader, the Kobo Mini can be taken on train journeys or the daily commute without a care in the world.

Kindle Nook Covers

It’s here where the device holds a special advantage. Mobile reading apps are okay but the average smart phone drains battery fast without spending hours reading on them. The Mini can make any journey or lunch break pass without a fear of losing or damaging hundreds of pounds worth of equipment, whilst saving your phone’s battery. Even on the lowest page refresh rate it never shows its lack of power. Officially priced at £59.99, bargains can be found. I got mine for £30, including £10 store credit. Its discreet size may appeal over larger devices, that invariably you’ll buy a case for (the Nook case looks like a traditional book but is more cumbersome, the Kindle fits snug but the official cover is priced at £25).

Ultimately the main choices come down to: raw power and features, this is the domain of the Kindle Voyage or the Kobo Aura H2O. If you don’t need waterproofing then the undisputed winner is the Voyage. For an overall experience, at a reasonable price, the Paperwhite has no equal. You’ll be using the world’s main e-book library on a device that gives a flawless experience. The Paperwhite is the safe and sound choice. If you care little for the extra features and only need one for daily trips on a tram, train or bus, the small Kobo Mini might be the one for you.

More than just Leftovers

More than just Leftovers

The Leftovers starts with the premise that 140 million people have vanished from Earth. Going into the show, knowing this, one wonders why such a rapture event has taken place. It soon becomes evident that the people left behind are the focus, not the event itself. The stage switches to one small area, the fictional Mapletown, New York. Their loss creates our philosophical gain. It’s not a case of why the souls were taken, but how those that remain cope.

It should be pointed out that The Leftovers may dangle the mystery of the missing people, and furthers the unknowns by various presumed supernatural elements, however, the show doesn’t exist to answer these things. The missing 140 million is a plot device, a side issue that requires no further explanation. To do so would undermine the journey the characters take. There have been criticisms levelled at the lack of resolution, these viewers have missed the heart of the tale.

Some of these disenchanted voices have probably readied the Damon Lindelof put downs. These are the ones that hated the Lost finale and how questions remained throughout that show’s six season run. Other than his input to both shows they bear no comparison. Lost required closure on the great unknowns, The Leftoversnever promises this. This show is about examining the human condition. Any show that is dealing with existentialism doesn’t need to feed the mainstream gimmick of dropping clues and offering weak replies. It can leave that to Under the Dome (great book, bad show).

Mentioning another popular show from a literary source, it should be noted that the author of the original novel (also entitled The Leftovers) Tom Perrotta, worked alongside Lindelof to create the show. The first season covers the entire novel so season two will be new material, and again, he is heavily influencing this. It’s refreshing to see the source material being used extensively.

The depth in the writing is brought about by an excellent cast. Christopher Eccleston once again proves his vast range as the town’s man of faith who attempts to prove the people taken in the sudden departure were sinners. Watching him wrestle with faith compliments the show’s main centrepiece, the cult named the Guilty Remnant. They are silent watchers, heavy smokers, and easy to despise pests. In forming this opinion it makes one wonder about the real world situation the metaphor represents. Why do we hate the unknown element? Some of their actions appear unforgivable but nobody is coping with the loss the world has suffered.

Leftovers

Justin Theroux plays the shows lead, and town Chief of Police. His wife has left to join the cult and his son is running errands for the Peep Show’s Johnson, who is a spiritual leader of sorts. His already full plate is further filled by a rebellious daughter and a father, the former Chief of Police, that has been committed for mental illness. This in turn makes him fear his mind is also on the slide. He starts to date Carrie Coon’s character, Nora Durst, a mother of two whose whole family was taken in the disappearance. Her character centric episode reveals the great depth she has as an actress and the writers’ efforts to layer her.

These are just several standouts of a stellar cast. Each keeps the show rolling forward with grit, pain, and precision. They aren’t used to answer the question of why the rapture event took place, we just accept the Pope and J-Lo were taken as easily as the select members of the town, they do make us examine where the world is heading. Hopefully season two will continue to explore these leftovers rather than explain the ones that departed. There are some mysteries that should remain beyond man. All we can do is look internally to see what we find there.

Formula None

Formula None

Formula One is a sport that thrives in controversy. Thankfully, the element that could have undermined an entire Drivers’ Championship – Double Points – played no part in the end. That was a small rest bite during a time when F1 is under the microscope for different reasons.

With two teams in administration, and others close to the wall, its finances and wealth distribution require a review. Bernie and the large teams need to realise the product as a whole is only worth something if there is diversity across the grid. The current model almost ensures the big teams will remain near the top of the field but if this continues there’ll be no one else left to compete against. Three car teams would eventually become a three team championship.

Love or hate Bernie Ecclestone, the improvements made to the sport under his leadership can be clearly seen. It still is the pinnacle of motorsport and rather than keeping up with the times, it has defined them. New circuits, however bland some may be, come with state of the art facilities. The product generates more money than ever. Luxury companies pay a premium to be associated with each event. All this should bode well for the sport. But it somehow hasn’t helped abate the current situation.

It’s easy to see Bernie as a cantankerous old man. He’s holding all the cards, the ultimate power broker. He dismisses the pleas from the smaller teams out of hand. His remarks appear ill-informed and uneducated. With Caterham and Marussia heading to collapse he made numerous remarks, none of support, just disdain. Bernie doesn’t want to see begging jars in the paddock and claims the teams are mismanaged and haven’t ran their businesses correctly.

Berne F1

By doing this Bernie has quickly washed his hands of a problem he helped facilitate. These teams didn’t throw caution to the wind and spend big bucks to buy a title. They were scraping together the budget each season just to survive. When the now defunct HRT, Caterham and Marussia (badged as Virgin) came into the sport as the three fresh teams, they did so under the impression F1 would implement cost-cutting measures. Of course teams like Ferrari, with their seemingly bottomless pot of cash, felt uneasy levelling the playing field like this. A compromise of sorts was reached: the teams would slowly reduce running costs without a hard cap being installed. To this day it has never happened.

So the new teams haven’t been mismanaged as such, they’ve just been the victim of being told one thing then living another. To make matters worse the gulf in affluence is exacerbated by the distribution of wealth. Ferrari receives an extra cut of the cash, before any prize money is distributed, for just being in the sport. This is similar to the way Real Madrid and Barcelona negotiate their own TV deals in Spain. A fairer system is the English Premier League that splits its deal twenty ways. Obviously prize money will, and should, go to the most successful teams. But all teams need the same starting point. It’s ludicrous to give handouts to those that need them less.

It’s also clear that the teams can’t be trusted to introduce fair cost-cutting measures. The time has come for a fixed budget cap which excludes driver wages. When I have discussed Financial Fair Play in football, my tone has always been against the system. In that sport it handcuffs safe wealthy owners, maintaining a status quo for the elite teams across Europe. In any business a company should be able to make a loss in order to catch its competitors. However, the current system in F1 has created and facilitates a continuing status quo of its own. Smaller teams are losing money, but not to catch-up, just to stay in business.

USA F1 Empty Grid

The largest spenders, like Red Bull, McLaren and Ferrari, may resist a cap because it removes their advantage. But long term they may be racing amongst themselves, at which point, they’d also be at the back of the grid . . . and the middle and the front. Fans need variety. Imagine a future where every F1 race resembled the grid from the infamous 2005 United States Grand Prix. That’s where we’re heading. And Bernie doesn’t mind because the cash cow still has plenty of milk. Some circuits are paying around $70M just to host an event, and all the race revenues combined only equate to 30% of F1’s income.

Another 30% is from the television deals. This would be the first victim of a decline in the sport. If the ratings fell so would the sale price. It’s this fear that gives us the ever changing rules to make the sport more competitive. Tighter regulations to create a narrower band of creative manoeuvre. The best designer in the modern era, Adrian Newey, decided he’d had enough of these restrictions so took on a different role within the Red Bull group. It’s a shame that the pinnacle of motorsport is hindered by its own self-inflicted parameters. Rules to increase excitement that will never work as long as a gulf in spending exists.

All the teams need to realise they need one another. An independent body needs to be set up to implement the cost-cutting measures and to clarify what goes on in the murky waters of F1 management. At the moment Bernie and the big teams feels more corrupt than a FIFA World Cup bidding process.

It’s ironic F1 spends so much time and energy tweaking itself to make racing closer without making the money in the sport fairer. A much better model would be one that has a hard budget cap, and at the same time has wider design windows. Cars would be cheaper to run, so the small teams wouldn’t be facing extinction, but a relaxation of the rules would add greater variety across the design process. The more creative or forward thinking would have the ability to flourish. They could even return to multiple tyre manufacturers with a set price for the season support. The entire onus would then be on those tyre providers to produce the best rubber at an affordable price. The difference in compounds would create exciting races as different teams on different rubber face unique race strategies. There’d be less tyre management and more non-stop pushing.

Whether you agree with the idea of a fixed budget or not, Bernie’s ignorance is something that is fact not opinion. He recently remarked he doesn’t care for social media or the younger generation of F1 fans. That his product is aimed at wealthy men in old age. That no young man on Twitter is going to buy a Rolex, a product his sport is paid to advertise. This is sheer arrogance and short-sightedness. Sponsorship accounts for 15% of F1 income, another 15% from merchandise and corporate hospitality, but that 30% from TV deals should have greater importance to Bernie.

To ignore the poorer young fans is to care little for the viewing figures that account for a third of his income. The same people whom the regulations are forever tweaked to create closer racing. The people that could be watching the sport for decades to come. But Bernie isn’t a man of the people. He isn’t even a man that cares for teams within his own sport. Unless you’re a big red Italian car company, or a 70 year old man wearing a Rolex sat in a corporate box, he won’t give you a second thought.